You’re Invited: Free Programs at Tempe Center for the Arts

Cultural Coalition is excited to support the Small Island Big Song (SIBS) residency at Tempe Center for the Arts (TCA) from February 8 to February 10. Together with TCA and artists from SIBS, we have curated supporting programs that feature collaborations of artists from Arizona with visiting artists from Oceania, culminating a final concert performance on the night of February 10.

Check out the different programs we have planned & learn more about the final performance concert:


ARTISTS MAKING TRADITIONAL CULTURE RELEVANT
FEB 9 FROM 6:30 TO 8PM | TCA STUDIO
FREE ALL AGES

A Community Conversation between Small Island Big Song artists, Native Artists from Arizona, and the audience that explores the ways in which we keep traditional practices of culture relevant through artistic representations of fashion, music, and personal adornment as an expression of identity. Led by Cultural Coalition Executive Director Carmen Guerrero, panelists and audience members will be invited to share their experiences of cultural expression through clothing, jewelry, tattoos, and artistic design.

Artist Panelist Bios (Click to open):

Carmen Guerrero, (Kambiwá/Brazilian/Xicanindia) Cultural Coalition Executive Director, Beading Artist, Musician – Producer of multiple annual cultural festivals in Arizona through her nonprofit Cultural Coalition. As an artistic producer, she is committed and dedicated to issues of cultural literacy and social justice. As an educator and teaching artist, she shares her indigenous roots through music and art to foster multicultural understanding. As an artivist/arts advocate, she co-founded Xicanindio (now Xico, Inc.), the Arizona Latino Arts Center, and the Cultural Coalition.

IIWAA (Piipaash/Quechan) is an Indigenous performer, songwriter, and recording artist representing District 7 of the Gila River Indian Community. They are the recipient of the 2022 Viola Award for Excellence in Music for their debut EP, Dysphoria. IIWAA’s work has been featured by ESPN, ABC, the CBC, and recognized by the Grammys Recording Academy.

Missy Mahan (Yuchi/Mvskoke/Tohono O’odham) Painter, Tattoo Artist and business owner. Tattooing since 2012 she currently brings indigenaity to a space in order to highlight indigenous tattoo artists, art and traditional or contemporary tattoos for her community. She is a team member of the Indigenous Tattoo & Music Fest, an annual event high lighting all indigenous tattoo artists and musicians throughout the U.S and Canada. She brings a new revival to reconnect with her ancestors traditions to reclaim traditional designs, art and practices through tattoos.

Emlyn (Mauritius/Creole) Songwriter & Performer – Featured on CNN, Emlyn is leading a wave of performers across the Indian Ocean proudly reclaiming their unique rhythms and cultural mix. Written with a reactive pen and sung in Mauritian Creole, her songs express her concerns for her island’s environment. Emlyn brings the infectious grooves of Sega with the sounds of her traditional frame drum, Ravann, which originated from the rhythms of African/Madagascan people during the slave trade. SIBS fell in love with Sega music during their field trips to Mauritius in 2016 and 2017, and was finally collaborating with Emlyn in 2020. She has been part of the album since and never misses a show!

Putad (Amis/Taiwan) Songwriter & Performer – Powerful, entrancing, unapologetic all words used to describe Putad’s engaging stage presence. In the proud spirit of her indigenous Amis heritage, Putad unites ancient vocal traditions with raw energy of grunge, rock and punk, as her and her brothers Wusang and Linken’s band Outlet Drift express. In the SIBS ensemble, she brings this energy, her soaring voice, rock bass along with her coastal Amis ancestry and love for the ocean! SIBS met Putad through an online project Global Music Match in 2020. She has since become one of the feature artists on the album ‘Our Island’ and its tours across four continents.

Mea Joy Ingram (Motu/Papua New Guinea) – Mea comes from a long line of drummers and dancers. She was taught by her father, master percussionist Airileke Ingram in the tradition of Manus Garamut, Cook Island Pate, and Gabagaba Motu Mavaru. The Garamut drumming of PNG was traditionally an artform dominated by men, however Mea, having just turned 18, represents the new generation of female log drummers emerging from Oceania.


DANCING FROM THE ISLANDS TO THE DESERT
FEB 10 FROM 10 TO 11AM | TCA NORTH PATIO
FREE ALL AGES

Bring the whole family for a fun morning of movement and dancing inspired by the sacred waters of Oceania and the Southwest. Attendees will enjoy two performances of traditional dance from different areas of the world but connected by this practice of dance as a form of storytelling that preserves cultural memory and history.

Tony Duncan and son Naiche will share the skillful Mother Earth inspired shapes of hoop dancing from the Southwest, followed by the lively Sega Dance from Mauritius with Small Island Big Songs artists and musicians. After these performances, audience members will be invited to participate in small group demonstrations, where they will have a chance to learn the basics of hoop dancing or the joyful movements of Sega.

The Hoop Dance originates from the Taos Pueblo of New Mexico, as a way of healing. The modern form of hoop dancing has since become an intertribal dance and is now shared at social gatherings and powwows alike. The dancer uses hoops to create images and shapes that represent the many beautiful creations on Mother Earth. The hoop dance teaches us that we must respect and honor all of life as we are all connected in this great circle of life. We celebrate that connection with … the Hoop Dance.

Sega is both the national dance of Mauritius and a profound artistic embodiment of the historical and cultural memory of colonial slavery. It is a testament to the strength of the human spirit and the capacity to create and express beauty and joy out of nothing. Led by Mathieu Joseph, one of Mauritius’ best choreographers of the young generation and supported by SIBS artists Emlyn (Mauritius), Sammy (Madagascar), and Putad (Taiwan).

This program will take place outside on the North Patio of Tempe Center for the Arts alongside the serene waters of Tempe Town Lake. Make sure to wear clothing that is made for movement. Free and open to the public!

WEATHER UPDATE – Program will be moved inside if needed due to rain or inclement weather.

Artist Bios (click to open):

Tony Duncan (Apache-Arikara & Hidatsa) Hoop Dancer & Native Flute Musician – Tony Duncan, a five-time World Champion Hoop Dancer and performing artist, is just getting started. Now based in Mese, Arizona with his wife and children, Duncan learned hoop dancing from his father at the age of five. “I grew up going to powwows and my father taught me different styles of dances, including the hoop dance,” Duncan told Annie Larkin during a special performance for the Amerind Museum. Characterized by rhythmic dancing with colorful hoops and complex footwork, this tradition has roots in healing ceremonies and customs across Indigenous communities of the U.S. and Canada. Duncan represents the best of hoop dancing: using his hoops to tell a story with stunning images – sometimes of a snake, butterfly, eagle, or globe. Even his mastery of the hoop, constantly spinning and forming new shapes, conjures the fluidity of life itself. Now an intertribal activity, hoop dancing has grown in popularity, with modern dancers reinventing its foundational elements. “Everything we wear when we perform tells a story. Designs are passed down among families, the bead work, and even the tailoring of regalia speaks to someone’s tribe or clan. We wear the good feelings of our relatives on our bodies when we dance,” Duncan says of the rich meaning behind his regalia. Though known for his dancing, Duncan is also a renowned flutist, with ten albums released under Canyon Records, a Native American music label. After winning Artist of the Year at the Native American Music Awards in 2013, and touring with such musicians as R. Carlos Nakai and Joanne Shenandoah, Duncan believes hoop dancing and playing the flute keep him balanced.  “Hoop dancing represents fire because the flicker of a flame is constant, like my quick movements while dancing. The sound of the flute reminds me of water and its ability to heal. For me, they go hand in hand,” Duncan explains. After touring with international pop sensation, Nelly Furtado, and performing for thousands globally, Duncan now thinks of the next generation. Duncan’s children, Naiche, Nitanis, Manaya and Mia are budding hoop dancers, and will carry on his legacy. As Duncan told Visit Phoenix late last year, “I’ll be performing the hoop dance until I have white hair and I’m an elder. Continuing to pass down traditions and teachings to my children and their children: that’s how we keep the ‘hoop’ strong.”

Mathieu Joseph (Creole/Mauritius) Choreographer & Performer – Mathieu has been a professional dancer and choreographer since the age of 14 when he was discovered breakdancing on the suburban streets of Port Louis, Mauritius by renowned choreographer Stephen Bongarçon. Quickly embedding himself in Bongarçon’s SRDance, his dedication earned him the gold medal for dance at “Les Jeux de la Francophonie” in 2009. Leading to a succession of shows and companies, including choreographing “Di Sel”, a tribute to the salt workers of Mauritius which won the “Les Jeux de la Francophonie” in France in 2017.

Emlyn (Mauritius/Creole) Songwriter & Performer – Featured on CNN, Emlyn is leading a wave of performers across the Indian Ocean proudly reclaiming their unique rhythms and cultural mix. Written with a reactive pen and sung in Mauritian Creole, her songs express her concerns for her island’s environment. Emlyn brings the infectious grooves of Sega with the sounds of her traditional frame drum, Ravann, which originated from the rhythms of African/Madagascan people during the slave trade. SIBS fell in love with Sega music during their field trips to Mauritius in 2016 and 2017, and was finally collaborating with Emlyn in 2020. She has been part of the album since and never misses a show!

Putad (Amis/Taiwan) Songwriter & Performer – Powerful, entrancing, unapologetic all words used to describe Putad’s engaging stage presence. In the proud spirit of her indigenous Amis heritage, Putad unites ancient vocal traditions with raw energy of grunge, rock and punk, as her and her brothers Wusang and Linken’s band Outlet Drift express. In the SIBS ensemble, she brings this energy, her soaring voice, rock bass along with her coastal Amis ancestry and love for the ocean! SIBS met Putad through an online project Global Music Match in 2020. She has since become one of the feature artists on the album ‘Our Island’ and its tours across four continents.

Sammy (Merina/Madagascar) Songwriter & Performer –  Sammy followed his passion for Madagascar’s musical heritage by mastering and learning how to make most of Madagascar’s instruments. His efforts came to the notice of the UK’s world music scene as his band ‘Tarika Sammy’ gained international recognition, becoming a regular on major festival stages and being acknowledged as one of the world’s “Best Ten Bands”, alongside U2, by TIME Magazine. SIBS met Sammy at his house during their inspiring field trips to Madagascar in 2016 & 2017. He’s featured in both albums and concert tours around the world since 2018.


TRASH TO MUSIC YOUTH WORKSHOP
FEB 9 FROM 4 TO 5PM | TEMPE PUBLIC LIBRARY
FREE FOR AGES 9-12

Learn how to make musical instruments from recycled materials with Small Island Big Song performance artists and musicians. All materials, tools, and instruction will be provided.

No registration required!

Tempe Public Library is located at 3500 S. Rural Rd.

Tempe, AZ 85282


SMALL ISLAND BIG SONG
FEB 10 FROM 7:30 TO 9:30 PM | TCA THEATER
Tickets $25 Reg | $10 Student | $20 for Experience Circle Members

Journey through the enchanting sounds of the Pacific and Indian Ocean cultures.

“Small Island Big Song” evolved from visits to 16 Island Nations, and work with 100+ artists, elders and community groups all recorded in their homelands using traditional instruments and languages. The result is a surprising and stunning musical collaboration of Pacific and Indian Ocean cultures.

In 2018, rooted in fair trade and climate action, this remarkable project launched, on a global scale, through social, audio, film, and live performance content.

Don’t miss this multimedia concert and residency experience, featuring eight musicians and vocalists from New Zealand, Taiwan, Australia, Madagascar, Solomon Islands, Mauritius, Marshall Islands, Papa New Guinea, and Tahiti.

Joining the Small Island Big Song performers on stage will be local artists Randy Kemp and Taté Walker.

Randy Kemp, is a citizen of the Muscogee-Creek (Mvskoke) Nation of Oklahoma, Choctaw Nation of Oklahoma and Euchee tribe of Oklahoma. A Retired Environmental Graphic Designer Sr. of 30 years at Arizona State University, Tempe, Arizona. He is an Alumnus of the Katherine K. Herberger College of Fine Arts at Arizona State University in Tempe, Arizona. A recipient of an Associate of Arts degree from the reputed Bacone Junior College in Muskogee, Oklahoma. Randy is a multidisciplinary artist. His body of work includes mixed media, painting, printmaking, film, theatre, storytelling and flute performance. His artwork has been exhibited in prominent museums, galleries and private collections throughout the world.

As a music recording artist, nominate for “Best Spoken Word” and “New or Debut Duo/Group of the Year” at the 10th and 18th Annual Native American Music Award (NAMA). And nominated for “Best Instrumental Album” at the Manito Ahbee Indigenous Music Awards (IMA), in Winnipeg, Manitoba Canada. Randy also performed prelude flute music for President Barack Obama (70,000 in attendance) in Sun Devil Stadium at Arizona State University in Tempe, Arizona.

Taté Walker (they/them) is a Lakota citizen of the Cheyenne River Sioux Tribe of South Dakota and an award-winning Two Spirit storyteller. Their first full-length poetry book, “The Trickster Riots,” was published in 2022, by Abalone Mountain Press. Taté, a 2022 Pushcart Prize nominee, has written, photographed, and/or edited for various outlets, including The Nation, Yellow Medicine Review, Pipe Wrench, Apartment Therapy, Everyday Feminism, Native Peoples, Indian Country Today, Subaru Drive, December, and ANMLY.

They are also featured in several anthologies: “FIERCE: Essays by and about Dauntless Women,” “South Dakota in Poems,” W.W. Norton’s “Everyone’s an Author,” “Good Eats: 32 Writers on Eating Ethically,” and “The Languages of Our Love: An Indigenous Love and Sex Anthology” (forthcoming). Taté is a co-founder of the Phoenix Two Spirit Community group, which helps organize the annual Arizona Two Spirit Powwow. They are also a longtime member of—and also serve on the board of directors for—the Oceti Sakowin Writers Society, which has a mission to mentor, empower, and promote Lakota, Dakota, and Nakota literary traditions. Taté is a 2023 ASU Poetry & the Senses Fellow and the 2023 Storyknife Fireweed Fellow. Taté has 20 years of experience in print/digital journalism and advocacy writing, and is a trusted community builder within/for social justice and tribal education spaces. Learn more at www.jtatewalker.com.